The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Monitor new and emerging trends in music
|
|
Research and critique a broad range of local and international music to identify and anticipate emerging trends Completed |
Evidence:
|
Evaluate the commercial potential of emerging trends Completed |
Evidence:
|
Cultivate strategic relationships to keep informed of developments in the music industry Completed |
Evidence:
|
Use intelligence gathered to predict and influence music market trends Completed |
Evidence:
|
Scout new talent
|
|
Select new artists based on analysis of their artistic and commercial potential Completed |
Evidence:
|
Assess current and potential audience response, and evaluate marketability of new artists Completed |
Evidence:
|
Discuss music market trends and product development with artists and artists’ managers Completed |
Evidence:
|
Assign artists to appropriate producers so that recording approach complements artists’ repertoire Completed |
Evidence:
|
Mentor artists to optimise their artistic and commercial development Completed |
Evidence:
|
Facilitate agreements for artists
|
|
Provide recording, promotional or touring company with realistic view of artists’ potential and proposed approach to artistic and commercial development Completed |
Evidence:
|
Advise artists to obtain legal advice with regard to negotiating contracts Completed |
Evidence:
|
Monitor drafting of agreements between artists and company, and facilitate process as required Completed |
Evidence:
|
Document agreements and distribute to all parties Completed |
Evidence:
|
Monitor progress of artists’ agreements
|
|
Monitor level of income generated from sales of artists’ recordings Completed |
Evidence:
|
Anticipate any agreements that are likely to lead to a loss for the company, and recommend appropriate action Completed |
Evidence:
|
Provide reports to management on commercial viability of artists as required Completed |
Evidence:
|
Monitor progress of artists’ agreements
|
|
Monitor level of income generated from sales of artists’ recordings Completed |
Evidence:
|
Anticipate any agreements that are likely to lead to a loss for the company, and recommend appropriate action Completed |
Evidence:
|
Provide reports to management on commercial viability of artists as required Completed |
Evidence:
|